Search results for "Dawn of the Dead"

showing 2 items of 2 documents

"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)

2011

International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…

Hollywood[SHS.LITT]Humanities and Social Sciences/LiteratureLiterature and Literary TheoryVisual Arts and Performing ArtsDawn of the DeadContemplationmedia_common.quotation_subjectfilm aestheticsliving deadremake[SHS.LITT] Humanities and Social Sciences/LiteratureMovie theaterPoliticshorrorState (polity)terrorVerisimilitudeGeorge A. RomeroSociologymedia_commonzombie moviesbusiness.industry[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historyAction (philosophy)AestheticsGeorge (robot)[SHS.ART] Humanities and Social Sciences/Art and art historybusinessMusic
researchProduct

Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today

2011

Critics have repeatedly focused on the political subtexts of the living dead films of George A. Romero, revealing, notably, how they reflect specific social concerns. In order to determine what makes the zombie movie and the figure of the zombie so productive of political readings, this article examines, first, the classic zombie movies influenced by voodoo lore, then Romero’s initial living dead trilogy (1968-1985), and finally some of the most successful films released in the 2000s. Resorting to a post-structuralist framework including Althusser’s notions of state apparatuses, Foucault’s distinction between subjection and subjectification, and Butler’s analyses of subversive resignificati…

Georges A. Romero[SHS.LITT]Humanities and Social Sciences/Literaturezombie moviesDawn of the DeadDay of the DeadresignificationJudith ButlersubversionmeaningNight of the Living Deadcontingency[ SHS.LITT ] Humanities and Social Sciences/LiteratureMichel FoucaultLouis Althussersubjection[SHS.LITT] Humanities and Social Sciences/LiteraturepowerresistanceIdeological State ApparatusessubjectificationI Walked with a ZombieVictor HalperinWhite ZombieJacques Tourneurpolitics
researchProduct